Under high stucco ceilings,
we can't help but mention
we're breakfasting
in the cafe at Budapest Keleti.
You're not here - but these students
and luminescent festival-goers
are forming a picturesque backdrop.
Did I say we'd finally arrived?
Oh, look, it's the Trans-Siberian.
Tuesday, 29 May 2012
Monday, 28 May 2012
A film about northern Albania
Trekking in Thethi, Valbona and Vermosh: http://video.citytv.com/video/detail/37511219001.000000/trekking-in-albania/
Friday, 25 May 2012
Start of a poem putatively called 'The comfort of railway stations'
Under high stucco ceilings,
we're stifling over ham and eggs
in the cafe at Budapest Keleti.
We've only just arrived
among American students,
festival-goers whose luminescent wristbands
evangelise this stock-shot gathering
in an otherwise vacant ticket hall.
The connection for the Trans-Siberian
flick-flacks on the departure board.
we're stifling over ham and eggs
in the cafe at Budapest Keleti.
We've only just arrived
among American students,
festival-goers whose luminescent wristbands
evangelise this stock-shot gathering
in an otherwise vacant ticket hall.
The connection for the Trans-Siberian
flick-flacks on the departure board.
Tuesday, 22 May 2012
Radio interview
Ann Kennard from the Balkans Peace Park and I were interviewed on Radio Bristol about the project's summer programme in Albania on Sunday (20 May) and can still be heard until Sat 26 May at iPlayer here (if you fast forward to 2hrs in): http://www.bbc.co.uk/programmes/p001mnwc
Thursday, 17 May 2012
You make things sound good
You make things sound good.
I don't trust that.
Even though you must do it,
I can't imagine you
lolling on the sofa,
eating takeaway meals,
putting out the recycling bin.
There is a limit
to how much I believe
of what you're telling me.
You'll say it's only suggestion
but there you are, in print,
suggesting what you say
is true, is permanent.
Copyright Tom Phillips 2012
I don't trust that.
Even though you must do it,
I can't imagine you
lolling on the sofa,
eating takeaway meals,
putting out the recycling bin.
There is a limit
to how much I believe
of what you're telling me.
You'll say it's only suggestion
but there you are, in print,
suggesting what you say
is true, is permanent.
Copyright Tom Phillips 2012
Tuesday, 15 May 2012
Positively Dickensian
The London Magazine's review of A Mutual Friend: Poems for Charles Dickens is now online here: http://tworiverspress.com/wp/review-the-london-magazines-review-of-a-mutual-friend-poems-for-charles-dickens/
Published by Two Rivers Press and edited by Peter Robinson, the anthology includes poems about/in response to Dickens and his work in a wide variety styles by a wide variety of poets - and is out now. Contributors include Paul Muldoon, George Szirtes, Alison Brackenbury, Fred D'Aguiar, Sean O'Brien, John Hegley, Elaine Feinstein, Ian Duhig, Carol Rumens, John Fuller, Moniza Alvi. You'll find my offering amongst those of the Our Mutual Friend gang (Conor Carville and others) in the form of the Gaffer Hexham-referencing 'Found in the River'.
Published by Two Rivers Press and edited by Peter Robinson, the anthology includes poems about/in response to Dickens and his work in a wide variety styles by a wide variety of poets - and is out now. Contributors include Paul Muldoon, George Szirtes, Alison Brackenbury, Fred D'Aguiar, Sean O'Brien, John Hegley, Elaine Feinstein, Ian Duhig, Carol Rumens, John Fuller, Moniza Alvi. You'll find my offering amongst those of the Our Mutual Friend gang (Conor Carville and others) in the form of the Gaffer Hexham-referencing 'Found in the River'.
Tuesday, 8 May 2012
Recreation Ground: the book
Reading's Two Rivers Press are publishing my full-length collection Recreation Ground in the autumn. In the interim, I'll be reading poems from the book at:
Poetry and a Pint, St James' Wine Vaults, Bath, Monday 14 May (from 8pm)
and at
The Museum of English Rural Life, Reading, Saturday 19 May (from 6.30pm).
Here's a not particularly typical poem from that collection:
Poetry and a Pint, St James' Wine Vaults, Bath, Monday 14 May (from 8pm)
and at
The Museum of English Rural Life, Reading, Saturday 19 May (from 6.30pm).
Here's a not particularly typical poem from that collection:
Portishead
All through her second wedding,
your sister carried white lilies.
She chose Psalm 23 and we duly
mumbled
‘The Lord is my shepherd, I shall
not want’,
thinking this is more like a
funeral
and trying not to giggle at the serious
bits.
You dug me in the ribs and said,
with more feeling than you meant,
that this is what passes for life
in Portishead.
Outside – we nipped out for a fag
during ‘Abide With Me’,
tip-toeing past weeping aunts and
teenage sons
in suits they’d bought for work
experience
(a row of bulging parcels waiting
for collection) –
outside you breathed again and then
you said
how glad you were you’d escaped
what passes for life in Portishead.
And when you kissed me in the
graveyard
with its blots of dead confetti like
giant flakes of dandruff,
I was thinking: Yes, thank God,
thank God,
if it hadn’t been for this town’s
deep chill,
its icy politeness and evening
classes,
its Sunday lunch drinks and
over-cooked roasts,
the dismal rain on the Lake Grounds
of a Saturday night,
if it hadn’t been for the gossip
which spread
like a bushfire when you dyed your
hair red
and started hanging out with
unsuitable types
who played in punk bands like Chaos
UK
or limped along the high street on
farting Vespas –
if it hadn’t been for this town’s
desire
to disapprove of all it didn’t
understand,
you’d never have run for Cornwall
and the sea,
you’d never have run for a place to
call your own
and you’d never have run into me.
In the doorway of the church, I
almost smiled and I almost said:
there are so many reasons I’m
grateful
for what passes for life in
Portishead.
An uncertain ratio?
My friend Steve Wright explores the post-punk musical landscape with some good choices and erudite commentary here: http://thewordsandmusic.blogspot.co.uk/
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