Leaving New York
1
Here, on this pavement,
with compromised survivors,
wearing losses like badges,
listing off what they’ve
seen,
(what they have seen),
I’m tempted to ask
the simplest of questions:
is it her who’s broken your
heart?
Something’s not right.
At the mouth of a cinema,
language and neon
are letting us down:
they’re marking out
silences,
as if in some unmapped forest
we’re surrounded by
watchtowers
and boundary fences.
Not so much geography as
time
intruding – or unseasonal chill
that draws steam from our
mouths:
it’s pushing you apart.
2
Precipitate friend, we’re
already at the station,
safe among strangers
you can choose to register
as little as not.
So how should I care
for your wanting
to make things up?
At the end of the line
she'll not be waiting
in those shoes, that skirt.
You know that, don’t you,
in this cold late spring –
but it won’t stop you
queuing at the window,
buying your ticket,
falling back on hope
and remembered bus routes.
At the barrier, you persist
in giving nothing away –
you’ve decided
you’ve got enough to go on:
magazines, bottles
of branded water …
I’m just here reading
titles,
inadvertently wondering
if it is as you say
and you’ve answered
the same questions
yourself.
Tom Phillips 2014
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